For indie playwrights & fringe theater companies
FringeRights is the licensing platform that cuts out the middlemen — connecting indie playwrights directly to the companies that need their work, at a price that actually works.
Community and indie theater companies are being priced out of quality productions. Major licensing houses charge thousands of dollars for a single amateur show — fees designed for Broadway, not for black-box companies running on bake-sale budgets.
Meanwhile, independent playwrights have no accessible way to get their work in front of those same companies. They fill out forms, wait months, and hand over a large cut to a middleman who was never mentioned.
We built FringeRights to fix this. For good.
How it works
Submit your work, upload scripts and scores, set your pricing, and sign platform agreements. Track your catalog and pull works whenever you need to.
Browse the catalog, request perusal copies, select your license tier, and execute agreements — all in one place.
Time-limited, secure, no-download access to scripts and music tracks during your production run. Built for non-technical users on phones and tablets.
Pricing
No licensing house has ever asked "what can a 99-seat theater actually afford?" We're asking it. Every day.
Read the script before you commit to anything. Trust is earned, not assumed.
Tuned for community and indie theater — not Broadway. Actual math, not estimates.
For high-volume theater companies and professional productions with specific needs.
Playwrights receive the majority of every licensing fee. Transparent splits. No surprises.
Early interest
"We spent $3,200 licensing one musical. For a 100-seat theater. That number would have been $350 on a platform like this."
— Community theater artistic director, Reddit r/Theatre
"I wrote a play four years ago. I have no idea how many productions it's had because MTI never told me. That's not a relationship — that's a wall."
— Playwright, The Dramatists Guild community
"Concord bought Samuel French and service got worse. Then they absorbed Broadway Licensing. At some point you're just feeding a monopoly."
— Theater company manager, AACT community forums
FringeRights exists to make sure those voices get heard — and paid fairly for it. No labyrinth. No gatekeepers. No $3,200 licensing fees for a 99-seat production.
The work deserves better. The artists deserve better. The audiences deserve better.
The stage is yours.